Editing ‘Everything Everywhere All At Once’ Had Many Tricky Scenes, Just Not The Ones You Thought

Tuesday morning was a big day for Everything Everywhere All At Once, the quirky sci-fi action comedy that came out of seemingly nowhere last spring to be a big hit and, not incidentally, receive more Oscar nominations than any other 2022 film, including one for Paul Rogers, the editor who rode herd over the film, balancing its relentless, sometimes ridiculous momentum with quieter scenes.