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Mark London Williams

June 27, 2022

When shooting Matt Reeves’ The Batman, Greig Fraser ASC ACS drew upon comic book references, ‘70s cinema, combined digital and “emulsified” techniques, and entered LED volumes whilst creating an emotional experience to transport the audience to a Gotham City steeped in crime and corruption.

Cinematographer Greig Fraser ASC ACS says that one of the many things he loves about his job are the “pivots.” He loved them when he shot commercials (something he still does when not busy getting nominated for Oscars, Emmys, BAFTAs, or helping to reboot IPs), when he “could be in a skyscraper, or the next day, in an underground parking lot, doing a two-thousand-dollar music video.”

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